»legend: the best of« enthält die 20 wichtigsten songs von suzi quatro, die in den siebziger jahren zu den erfolgreichsten weiblichen rockmusikern gehörte. die us-amerikanerin hat zusammen mit dem produzenten micki most (rak studios) 10 uk-top 40 singles geschrieben, inkl. der nr. 1 singles »can the can«, »48 crash« und »devil gate drive«. alle songs wurden neu remastert.

growing bin burst into 2018 with a bang, crash and symbol splash, uniting a premier pair of per-cussion obsessives for a supernatural mission into the heart of the rhythm. dressed in the pitch black of du&#776,,sseldorf stands wolf mu&#776,,ller, master of the tropical drums and seven time salon des amateur breakdance champion. repping cologne and berlin is niklas wandt, germany’s funkiest drummer and a mixed musical artist as adept in experimental jazz as demen- ted euro dance. standing toe to toe in a no holds barred, no drum unstruck groove contest, these two titans will make you swing your pants like a crash bandicoot victory dance... so stretch out and step in to ‚instrumentalmusik von der mitte der world

were super excited to present the latest artist to join the dirt crew stable, french producer sekou babe. he ticked all the right boxes for us with this beautiful debut ep foresight prevents blindness which explores his fresh and vibey outlook on house with sideways glances to smokey jazz, breaks and garage. the a-side lines up three varied tunes. perspectives of the youth and soukoun step in quickly with lively breakbeat rhythms. the first boasting warm soul vocals and steady bass groove, the second a melancholic yet uplifting back and forth between vintage piano and warbling rhodes. treize zero zero trois is a deep and dreamy house jam. cinematic elements infused with punchy percussion and 80s sonic touches add up to good times all round. on the b, our good friend nachtbraker does what he does best, flipping treize zero zero trois bringing the deep, dubby amsterdam vibrations. his version is lush, textural and slightly fruity, with surging synths, tropical percussion and a stomping kick. sekou babe rounds things off with the extravagant crown collection, showing us yet another colour in his musical spectrum. its trip hop meets detroit where warped strings introduce shuffling drums before the track begins to build layering subtle arpeggios, smooth pads, crash hits and a buoyant melody. sekou babe would like to add that all tracks were written and produced by b.b. at 7e republique studio and says thanks to peter, ghizlene, mohammed and florian, you beautiful souls.

berlin based algorythm announces behind the clouds ep on neptune records. the ep is the second to come from neptune records with his debut santos express marking the inception of the label. opener a1 how i bust that a** up is a raw stomping house banger rich with giddy profanities rolling throughout. switching production styles alogrythm takes a more gentle approach enveloping bubbling aquatic techno with depth charged house on pearls . big beat repeat is a self-explanatory ear-worm and title track behind the clouds rounds the ep nicely with cascading synths nodding to the likes of crash course in science.

the 1975 album from bob dylan & the band back on 180 gram double vinyl. housed in a gatefold sleeve

drumcode returns with its 6th installment of the internationally celebrated a-sides series. renowned for fostering a shared space between industry tastemakers and rising talent alike, the careful curation that goes into each volume is a fine example of why beyer s brand continues to go from strength to strength. techno titan adam beyer has grown drumcode into a force to be reckoned with, the label has become synonymous with forward-thinking, functional techno and even after 20 years, drumcode continues to find new boundaries to push, and ways to solidify its legacy as the world s number one techno label.

having spent seven years in his adopted home of london steadily crafting a hazy, ambiguous identity that fuses ambient onto drone and techno, tom hang (aka lobster theremin boss jimmy asquith) finally steps up to the plate with “to be held in a non position” - a melded one-take lp that explores extended themes of isolation, loneliness, personal loss, disconnection and reconnection with reality and (self)-identity.
through his long-lost label tidy bedroom - on which “to be held in a non position” will be released - tom hang engages in a more introspective path, exploring sonic territories that find an echo with dislocated past experiences, pushing physical and psychic boundaries to get at the crux of intimacy.

man power returned to his northern home for one last waltz. this is their joint offering for the esp institute. on side a, man power welcomes us with tistish, stepping slightly out of his comfort zone and employing a boxy breakbeat to create a dose movement. this contrasts his signature fatty bassline and together they establish a ground on which to stack layers of atonal square and sawtooth waves. about halfway through he introduces a massively seductive string lead and for the remainder of the ride this palette of sounds coalesce in dark orchestral beauty. on side b, man power’s cohorts last waltz deliver nee shitteru, a true stomper of a track complete with in-your-face toms and off-time percussion patterns, an intense driving acid line, and aggressive shamanic chanting. throw in some crash cymbals, sci-fi sound effects and a smattering of gamelan and it amounts to an overwhelmingly chaotic and psychedelic trip. these two songs will have you speaking in tongues.

british left-field artist dead fader returns to parachute. the new lp, jenny 153, runs out across nine tracks and operates at the fertile juncture between classical and club music compositional structures, and examines the crossover points between the two disciplines.

ltd 2017 repress - metal dance vol. 1 was resident advisor no. 1 compilation of 2012! ny times pick of 2012 this collection underscores the real romance of machines. here is vol. 2.... 15 tracks auf der 2x 12 inch vinyl

electronic emergencies is thrilled to work together with brand new new york label sangron records on the 10-track compilation album sangron volume 1. compiled by skeleton heads leo torres, the compilation draws from the u.s. underground with songs from minimal synth pioneers crash course in science and mark lane, alongside contributions from skeleton head, revival times, m/a/n/o/s, ortrotasce, minima moralia, silent em, horoscope and paper music. moody, dancefloor-friendly and rebellious, this is music for dissidents

tidy line-up including randomer, gilbr, voiski and tolouse low trax. tip! in terms of experimental, techno, very few come close to the impact that this uk producer has had on the scene. with a sound that is rarely classifiable, randomer’s dekmantel contribution is a staggered, minimally-twisted, dark, kind-of-two step, awesome thing. versatile records’ gilb’r has found himself an integral part of the dutch scene since moving to amsterdam, and brings forth his organic, percussive grooves that have helped define his music, and label to date. salon des amateurs’ tolouse low trax provides a seasoned session of amniotic, grizzled, hypnotic post-everything music, that is eerily discomforting and wonderfully pleasurable at the same time. and on the ep’s fourth track, parisian techno wizard, voiski adds layered organic, futuristic loops that work to stale the progress of time, and space.

»legend: the best of« enthält die 20 wichtigsten songs von suzi quatro, die in den siebziger jahren zu den erfolgreichsten weiblichen rockmusikern gehörte. die us-amerikanerin hat zusammen mit dem produzenten micki most (rak studios) 10 uk-top 40 singles geschrieben, inkl. der nr. 1 singles »can the can«, »48 crash« und »devil gate drive«. alle songs wurden neu remastert.
limitierte pressung auf goldfarbenem doppelvinyl.

a pluck from the obscure like only pacific city sound visions can. these guys tap in where other s tap out. limited numbers, don t miss this truly unique lp. tip! alternatively titled: homoswavesailors, jack cccoys 1984 film about the birth of windsurfing details, through the gaze of the sport as a pre-historic ancient ritual, the exploits of a few of the sports originators. backing up the clear 80’s blue visuals of waves white washed wind blasted fx, is a variety of original pop and synth music made by the films composer, chris eggleton. there are no song titles, rather each track is spiced-up with wind and wave sound fx, which were originally meant to act as sound accents for wave sail action in the film. the pop songs are beach-spiked hits, sounding like new zealands flying nun rock, or blasted out prince chorus funk, but with added film sound fx, the essence of the silver screen begins to creep into the medium of audio disc! the synth music on tradewinds sounds as if tangerine dream made inspirational beach movie tracks during the height of their firestarter period. the mix is arranged by pacific city, so that the summer doesnt crash and burn. for the first time in history, pacific city sound visions presents: the original motion picture soundtrack to tradewinds on vinyl lp.

der soundtrack von jim williams zum umstrittenen, verstörenden, modernen kannibalen-horror-schocker -raw- von regisseurin julia ducournau in einer belgisch-französischen produktion, der bei den filmfestspielen in cannes 2016 seine premiere feierte und 2017 in die kinos kam. die europäische lp-ausgabe erscheint auf grünem 180g vinyl.

your lost property is ready for collection.the mysterious series of reduxes, reworks & re- versions continues. wild rumours abound on who is behind them, but it seems likely pbr streetgang may have something to do with it, that or the ghost bobby orlandos tape op, we can t be sure... the collection of oddities kicks off with the spacey titled ganu ganu , an apocalyptic sounding wrong-speeder that tensely builds a for a huge slow mo collision, crash helmet required. financial times dub is anything but economic with its use of slap bass guitar, and your all the richer for it.. on the flip things are no less funky but in an italo tinged vein with, with don t come runnin . as balearic as it is adriatic as it is boogie. finishing the quartet of curveballs is princess of persia a a hi tempo disco roller with a hypnotic groove to charm the scales of a cobra and sleazy vibe that makes you want to reach for the liquid gold & head to the downlow.. if you know then you know.. support from bicep, midland, paramida, manpower psychemagik tensnake

die zwölf songs des albums zeigen, mit welcher experimentierfreudigkeit der musiker ans werk ging. neue sounds und musikalische stilrichtungen wurden ausprobiert, dabei kamen viele für hendrix untypische instrumente zum einsatz: bläser, keyboards, percussion und sogar eine zweite gitarre.

third full length album by circa tapes (solo project of adam killing of kill memory crash). following excellent previous releases on romance moderne and dka, this third album displays the evolution of killing s spot on ability to masterfully blend dark early 80s synth, industrial and cold wave into a completely new entity. much heavier and wonderfully darker, this lp will appeal to fans of classics like skinny puppy, as well as cutting edge ebm contemporaries such as broken english club, boy harsher and other cold wave / industrial hybrids.

warehouse find on this classic canadian label.

moto music goes always its own way. there is no time, no limits, no compromise, its just pure and honest. this time with the crazy guy and his dog, t.c.white, also known as robert crash! 250 copies initial press!

following celebrated compilations from motor city drum ensemble and young marco – and with the second edition of its limited-capacity festival in croatia right around the corner – dekmantels selectors series now continues with an edition curated by marcel dettmann

helic.al, the new label from todd sines + charles noel / archetyp, functions as an constrained exercise to break from restrictions. instead of the obvious new electronic dance music label that would be expected of these seasoned producers, helic.al turns history on its ear, resulting in collaborations new and old. the debut album from interval, featuring bassist andries boekelman, sines on vocals, guitar, synths & engineering, noel on drums and percussion, steps outside the comfort zone of endless tracks and overdubs from a digital workflow, tracked to 8-track tape, and mastered direct to lacquer by josh bonati, with no computers in between. future releases include crash course in science s michael zodorozny and todd sines as i/tmsz, soviet s amanda berkowitz and alyssa barrera as artefactos de dolor, möthersky, excepter s ssps & gramma, and is in discussion for releases from robert görl of deutsch amerikanische freundschaft, graham lewis of wire, dome and he said, and stephen mallinder of cabaret voltaire / wrangler, for a follow up to his seminal 1982 release, pow wow

soul jazz records are releasing a collection of lost recordings by french mutant experimental synth group kas product, all originally recorded in the period 1980 – 83.
kas product formed in 1980 in nancy, france, as an electronic duo comprising ex-psychiatric nurse spatsz on electronics and rhythm machines and mona soyoc on vocals and guitars.
limited edition vinyl release of 1000 copies with download code included.

off the leash is the cry of morphed pack animals from a ufo crash site. it’s radiated saliva dripped onto cold machinery burning through circuit boards. .the first transmission morphs from cyborg electro to broken down party frequencies. it’s conspiracy meetings caught on short wave radio. the b side hits it harder, rolling tough with some nasty b-boy party electro and a euphoric hardcore cut complete with acid lines swooping in like winged beast. a fitting soundtrack to a midnight cruise across the landfill dunes as mutants creep into your backyard as the bros sink into the dunes.

danny elfman wrote and composed the score for fifty shades darker. elfman never disappoints his fans and the music for this one is no exception. when you’re a fan of the fifty shades series this is a definite must-have for your collection.
the first pressing of fifty shades darker is limited to 1.000 individually numbered copies on dark grey coloured 180 gram vinyl and contains an exclusive 8-page booklet with pictures and liner notes.

best reaggae sounds by superstar bunny lee

having dropped a tasty teaser a couple of weeks ago, black sun empire fulfil their promise of delivering a brand new long player album project entitled “the wrong room” that is sure to get pulses racing.
the 4 track double vinyl includes a code for download of the full 14 tracl album.

2017 re:issue

limited edition of 300 copies on 10 inch vinyl.
brooklyn musician and red bull music academy alum sam posner created el niño & the southern oscillations as a meditation on the the beauty and power of the ocean. the tracks flow through timeless electronica influenced by selected ambient era aphex twin and early larry heard as well as contemporary artists like carribou and jamie xx. posner sketched the framework and palate for the project over a few years of travel, bringing the final ep together in a sea-side cabin watching waves crash against the rocky maine coast.

uk artists reset robot, jon gurd and tom powell collaborate again on their free-form hybrid electronica project- mister woo . following a series of under-the-radar eps, beyond light is the trio s debut album and most experimental and eclectic work so far. mister woo recorded beyond light in their portsmouth studio over three weeks in 2016, setting themselves to writing and recording tracks on-the fly and building an album around one-take, improvised performances. free to take its own form and direction from the outset, the result is a varied, unpredictable, high-energy record that pushes mister woo s distinct brand of electronica into new and unexplored places

(incl 4 tracks + 2 locked grooves) the ctrls class of inventive, inorganic techno is a mainstay of tokens output. for his ninth solo ep, he takes a trip down a back alley to the spirit of some of his earlier releases on the label.

label honcho bloody mary returns to the helm for the 34th release on dame-music, two original tracks knockout and no feeling is final are backed with a huge remix from none other than berghain resident, label boss & renowned producer marcel fengler. alien electronics, ominous pads and a heavy dose of acid craft unmistakably analog cuts that tread the line between electro and techno. ‘knockout stretches across the a-side, a pulsating, incessant acid line snakes its way about the raw 909 drums, tweaked and breaking in a series of hat and crash rolls reminiscent of classic chicago joints. on the flip, marcel fengler masterfully re-imagines knockout in to a driving percussive, workout, subtly adding and removing elements into a hypnotic, frenetic cut worthy of the dance floor. finally, no feeling is final slows the pace, haunting metallic strings rise and fall between twisted circuitry, an emotive number that could just as easily warm the crowd early as it could jerk tears at close. dj support: marcel dettmann laurent garnier maceo plex / maetrik kiki bpitch control orde meikle erol alkan luke slater jonas kopp chris liebing richie hawtin monika kruse james zabiela

first release and sensory trip into filmmaker and dj producer paulo chinatown s mind. an hologram of the berlin crash experience rendered for your ears, eyes and heart.

cutting room present an interpretation of their ebm, electro and industrial inspirations on steeplejack’s second release.

2183. after crash landing on an alien planet, intrepid explorer modula valiantly crawls from the wreckage of his interplanetary cruiser clinging to his life (and antique synthesizers.) taken captive, this neo-naples born space traveller is soon drafted into the services of the court of this other world s ruler. his music boxes save his life and change the very face of this distant kingdom. the results have just been beamed back in time to earth and intercepted by the bordello receiver dish. modula s voice crackles through and utters two words: autostrada galattica . cosmic boogie, futuristic funk and deep space disco are human terms to describe these sounds sent half way across the universe to be enjoyed by we humans of the 21st century. love, sacrifice and musical riches from a synthesizer super nova.

!! 70% xmas deal !! - last copies left , we re back with aria rostami s czarat ep, spring theory s sophmore release. rostami is a san francisco-based musician whose roots extend off into theoretical dimensions far beyond conventional dancefloor fodder (his material has appeared on labels like audiobulb and crash symbols). for czarat, however, he s honed his approach to produce an unusual dancefloor anthem. melding influences from around the world, the song arrives at something that sounds like acid house and techno as interpreted through an internet-enabled, information rich dialog of the present moment.

following 2014 s untitled 12 inch on the rush hour store jams imprint, amsterdam based faster action (this time a solo outing by interstellar funk) now surfaces on l.i.e.s. with a fresh two track 12 inch. stated as dj tools for the djs this is what we get here, with the a-side sounding like an late 80s industrial strength 909 driven ebm cut, while the b-side goes strong with a metallic beat track perfect for the adventerous working dj. 100 percent club approved! act quick!

‘satan’s slave’ is the latest release from moscovitch music (terror/prey), the brainchild of producer/compiler joel martin (quiet village/velvet season & the hearts of gold/maxxi & zeus) whose ‘de wolfe music’ compilations ‘bite hard/bite harder’ are considered essential primers of the library genre. this holy grail black-magic british jazz soundtrack from 1976 is the most requested movie score of cult film composer and top english jazz saxophonist/flautist - john scott (symptoms/wake in fright/craze). for aficionados of rare library music and obscure horror soundtracks this is an essential album.

new dimdj of audio atlas comes with 5 fresh tracks on mathematics. ranging from the acid attack of crash 3 to the downtempo funk of temple of the mountain and covering lots of territory in between, there is something for every dj here!

dark entries returns to the new jersey basement studio of smersh to unearth a 4-track selection from the

pedro abrantes and valdemar pereira’s intense and cold approach in the next release of e.f.a.e. would fit perfectly as the soundtrack to david cronenberg’s film crash (1997), guiding the listener through a world of perversion and obsession. a raw experience, usually of violence, where human nature is expressed through old rhythm boxes and cheap guitar pedals, sounding dirty, fuzzy, with an healthy disregard for rules of fidelity or even functionality. gam / coletivo vandalismo emerges like a sonic terrorist cell, out to implode traditional notions of dance music infusing a sense of dread and menace.

lp-release des für den grammy nominierten soundtracks von jerry goldsmith zur originalfassung des science-fiction-kultklassikers -planet der affen- aus dem jahr 1968, in der regie von franklin j. schaffner.
schwarzes doppel-vinylim klappcover.

frames is back this time with an outstanding various artists compilation, 4 hypnotic grooves for artistically sensitive music connoisseurs. something you can listen to and fall in love with anywhere anytime… timeless. vinyl only.

ixvlf is back at it again following the language of mini-album released earlier this year as part of our ongoing tape series. pushing it further from where we last left off, connor clasen’s vinyl debut reflects our ever growing desire to re-interpret club music in its most primitive and cartilaginous nature. while cleverly obscuring any reference to a specific period of time, involuntary movement shows a sense of the american-based producer stretching disorienting imagery over the existing landscape of proto-industrial — matching the visual interpretation of ailsa ogden undertaking the artwork by way of a new collaboration to be expanded over a handful of releases — where unpolished synthesizers and rhythm machines collide and bawl in a controlled crash. it is an exercise of existing in various states of detachment, a fixation on mechanical repetition and unpredictable behaviors through the haze of helium laughter. definitely one for the animals.

limited first pressing of 750 numbered copies on red ketchup & yellow mustard coloured 180 gram vinyl.
sausage party is a brand new animated movie about one sausage’s quest to discover the truth about his existence, a misplaced sausage and his savory friends embark on an existential adventure through the aisles of a massive supermarket in this raunchy animated comedy from seth rogen and evan goldberg.
includes tracks by wham! meat loaf, spandau ballet, eric carmen, jr jr, three dog night & isley brothers.
the score is produced and written by multiple award winner alan menken (pocahontas, beauty and the beast) and christopher lennertz (alvin and the chipmunks).

zuhören, genießen, glücklich sein: die wiedervereinigung des jahres. die vinyl-lp erscheint inklusive album-cd.

der braddock ist tot, lang lebe der baby craddock ! ( braddock is dead, long live the baby craddock !)el braddock ha muerto, viva el baby craddock ! vive pépé ! - this will be released in a limited serialised ( number stamped 1/3500, 2/3500, etc) edition of 3500, with full beautifil cover art made by pepe and will be sealed / shrinkwrapped.

the second of this year’s smd singles on their own delicacies label is features another two original tracks, leading with the hypnotic, late night techno loping of “remember in reverse”, drenched in glistening synths. the second track, “soft attack” takes a much more direct approach, with a brash battering of crash cymbals on every 4th bar marking time as a sinuous synth melody curls around the rhythmatic trunk. “soft attack (drum version)” pares it down even further, excising the melody for a minimal dj tool. also included here is a remix of ‘remember in reverse” from 90s mid west techno legend, dj hyperactive, who we’re super excited to have on this release. he extensive 11 minute rework transforms the track, sprinkling it with subtle doses of acid. after a short hiatus following their modular-only, desert recorded last album “whorl”, during which smd s james ford found himself on production duties for everyone and their dog, smd are back with bunch of techno cuts on their own delicacies label. over a couple of months in jas shaw s newly re-located synth-dense studio in leafy kent, which saw smd once again experiment with live jams as the basis for their production, they’ve pulled together a selection of eight tracks for release as a series of four singles over the coming months. smd fans will note that the earlier naming convention of delicacies has fallen by the wayside – for the simple reason that we’ve pretty much run out of weird and wonderful food stuffs to steal names from. instead, a semi-random automated process has been used to create the track names.